YAMAHA DM1000 REDEFINES THE SMALL FORMAT DIGITAL MIXER

—Features 24-Bit 96 kHz Audio, Surround Monitoring, Studio Manager and DAW Control in Rack Mountable Package—

LOS ANGELES, CA (October 5, 2002)—As demonstrated by the recent introductions of total production tools that include the Yamaha DM2000 and 02R96, the digital audio realm allows maximum power and flexibility to be packed into minimum space. Yamaha Corporation of America offers an additional solution for digital mixing with the AES debut of the DM1000 Digital Production Console.

Designed to meet the needs of the audio for film, video, post-production, and broadcast markets, the multi-platform DM1000 delivers 48 channels of transparent, super dynamic 24-bit/96 kHz audio, effects and processing on every channel, extensive surround production features, integrated control for digital audio workstations and automated recording into a very compact (23" D x 8" H x 17" L, 42 lb.), rack mountable package.

"The DM1000 has been engineered for permanent or portable applications where high quality digital audio production is paramount, but space limitations are a major consideration," states Larry Italia, general manager, Yamaha Commercial Audio Systems Division, "The DM1000 will be a valuable tool for digital editing suites, broadcast and post facilities."

The DM1000 features an intuitive control surface which allows analog-style hands-on operation—ideal for sound reinforcement or broadcast applications—and houses 12 user-defined keys, available for assignable functions. The unit offers the same acclaimed head amplifiers as the DM2000, and is equipped with 20 XLR analog inputs (16 with mic preamps) and 12 analog XLR outputs. All onboard A/D and D/A conversions make use of true 24-bit/96 kHz converters.

The DM1000 includes a range of 96 kHz-compatible stereo effects with 32-bit internal processing—plus several specifically designed for surround. Users can manipulate up to four individual effects processors simultaneously. The 17 precision 100mm motorized channel faders may be instantly layer-switched to control any of the 48 channels, plus Auxiliary, Bus and Remote channels. Additionally, all available inputs, outputs, effects and channel inserts can be assigned to any channel or output via the versatile digital patching system. The eight auxiliary buses can also be patched to any location in the system. An extensive selection of preset effects "libraries" may be selected and used unmodified, or edited for specific applications, and recalled as needed.

All 48 input channels feature a comprehensive range of flexible, independent compression and gating/ducking processors, 4-band parametric channel EQ with switchable "Type I" or "Type II" algorithms, and channel delay with a maximum delay of 453 milliseconds.

The DM1000 also features comprehensive automation and scene memory control, with full automation of virtually all console parameters; all automation data is recorded at _-frame accuracy.

Integrated tools for surround processing, panning and monitoring include: a mini joystick; graphic monitor configuration and multi-channel surround pan/position displays; individual speaker muting and attenuation; monitor output level control; bass management; independent delays; and stem mix monitoring.

In order to create a complete production and mixing environment, the DM1000 has been engineered to seamlessly integrate with leading digital audio workstation and computer automated recording technology, including DigiDesign ProTools®, Steinberg Nuendo® and E-Magic's Logic Audio; all mixing and processing parameters, transport control, and editing functions can be controlled directly from the DM1000 work surface.

"The features of the DM1000 will more than meet the requirements of any posting, scoring or editing facility that requires high quality digital audio production," states Marc Lopez, product manager, Yamaha Commercial Audio.

Bundled Yamaha Studio Manager Software is compatible for both Macintosh and Windows platforms, and works as a common medium for exchanging mix data between the DM1000, DM2000 and 02R96.

Two 24-bit/96 kHz compatible mini-YGDAI expansion slots accept a wide range of digital and analog I/O and processing plug-in cards. Cards are available in ADAT, TASCAM, AES/EBU formats, or for extra analog I/O capability. The DM1000 also supports Apogee's high performance A/D and D/A cards, and the Waves Y56K effects plug-in card. In addition, a 16-channel ADAT (MY16-AT) card will be available in the fourth quarter of 2002, and 16-channel TASCAM (MY16-TD) and AES/EBU cards (MY16-AE) cards are set for delivery in March 2003.

The optional MB1000 Peak Meter Bridge is a complete level-monitoring station, with 16 12-segment level meters that can be used to display pre-EQ and pre- or post-fader input channel signal levels. An additional eight meters display levels of the console's eight buses. The MB1000 also features time code display, and a separate 32-segment stereo meter is provided beside the LCD screen on the control surface.

Targeted for March 2003 delivery, the system includes the DM1000 mainframe, MB1000 meter bridge and side panels.

For more information on the DM1000, visit Yamaha at the 113th Audio Engineering Society (AES) Convention, Los Angeles Convention Center, Booth 1401; write Yamaha Corporation of America, Commercial Audio Systems Division, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com; or visit www.yamaha.com/proaudio.